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"Do you know by what name I shall always call you in my thoughts?" Perhaps he is afraid for her. Perhaps it is a gentle hint to her that the truth will be best. Whatever it may be, Mona understands him not at all. His mother glances up sharply. To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor..
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"Did you see the pig," she says, "sitting up by the fireplace? All through I couldn't take my eyes off him. He struck me as so comical. There he sat blinking his small eyes and trying to look sympathetic. I am convinced he knew all about it. I never saw so solemn a pig." "Keep your kiss," exclaims he, savagely, "since it cost you such an effort to give it, and keep the parchment too. It is yours because of my love for you." The old woman gave him something to eat—a dish of bad food. "We should be all good subjects enough, if things were on a friendlier footing," says Mona, too absorbed in her own grievance to notice Mr. Rodney's suppressed but evident enjoyment of her conversation. "But when you despise us, you lead us to hate you.".
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